<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><image><url>http://www.audiolinks.org/templates/SkyStars_ORANGE/img/logo.gif</url><title>eSyndiCat Directory 2.2  - free mixing and mastering tutorials and home recording archive.</title><link>http://www.audiolinks.org/</link></image><title>Microphones</title><description>A list of resources relating to microphones.</description><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/</link><item><title>Advanced Guitar Mic&#039;ing and Mixing - Miking Techniques - Home Recording Studio Help</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Advanced-Guitar-Mic-ing-and-Mixing-Miking-Techniques-Home-Recording-Studio-Help-l1914.html</link><description>Advanced Guitar Mic&#039;ing and Mixing - Miking Techniques - Home Recording Studio Help</description></item><item><title>Dirty Little Secrets - Miking Techniques - Home Recording Studio Help</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Dirty-Little-Secrets-Miking-Techniques-Home-Recording-Studio-Help-l1915.html</link><description>Dirty Little Secrets - Miking Techniques - Home Recording Studio Help</description></item><item><title>Drum Mic&#039;ing, and Tracking onto Digial Media - Miking Techniques - Home Recording Studio Help</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Drum-Mic-ing-and-Tracking-onto-Digial-Media-Miking-Techniques-Home-Recording-Studio-Help-l1916.html</link><description>Drum Mic&#039;ing, and Tracking onto Digial Media - Miking Techniques - Home Recording Studio Help</description></item><item><title>European microphones</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/European-microphones-l1917.html</link><description>European microphones</description></item><item><title>HISTORY OF THE MICROPHONE - ERIK&#039;S CLASSIC MICROPHONES - VINTAGE BROADCAST MICROPHONES - OLD MICROPHONES - MICS TO TRADE - OLD RADIOS - CLASSIC RADIOS - RADIO SCHEMATICS - TECHNICAL MICROPHONE INFORMA</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/HISTORY-OF-THE-MICROPHONE-ERIK-S-CLASSIC-MICROPHONES-VINTAGE-BROADCAST-MICROPHONES-OLD-MICROPHONES-MICS-TO-TRADE-OLD-RADIOS-CLASSIC-RADIOS-RADIO-SCHEMATICS-TECHNICAL-MICROPHONE-INFORMA-l1919.html</link><description>HISTORY OF THE MICROPHONE - ERIK&#039;S CLASSIC MICROPHONES - VINTAGE BROADCAST MICROPHONES - OLD MICROPHONES - MICS TO TRADE - OLD RADIOS - CLASSIC RADIOS - RADIO SCHEMATICS - TECHNICAL MICROPHONE INFORMATION</description></item><item><title>HOME RECORDING, MARCH, 2001</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/HOME-RECORDING-MARCH-2001-l1913.html</link></item><item><title>Location Recording - Tutorial</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Location-Recording-Tutorial-l1921.html</link><description>Location Recording - Tutorial</description></item><item><title>Matching The Phase Of Mic &amp; DI Signals</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Matching-The-Phase-Of-Mic-DI-Signals-l1920.html</link><description>sound on sound magazine, july 2001. matching the phase of mic &amp; di signals. craig anderton shows you how to get the best results when combining miked and di&#039;ed feeds from a bass guitar.</description></item><item><title>MICROPHONE MUSEUM - TELEGRAPH &amp; SCI INSTRUMENT MUSEUMS</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/MICROPHONE-MUSEUM-TELEGRAPH-SCI-INSTRUMENT-MUSEUMS-l1923.html</link><description>MICROPHONE MUSEUM - TELEGRAPH &amp; SCI INSTRUMENT MUSEUMS</description></item><item><title>Microphones</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Microphones-l1922.html</link><description>How They Work. Specifications. Pick Up Patterns. Typical Placement. The Microphone Mystique </description></item><item><title>Miking Basses, Revisited - Miking Techniques - Home Recording Studio Help</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Miking-Basses-Revisited-Miking-Techniques-Home-Recording-Studio-Help-l1927.html</link><description>Miking Basses, Revisited - Miking Techniques - Home Recording Studio Help</description></item><item><title>Miking Guitars Reloaded - Miking Techniques - Home Recording Studio Help</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Miking-Guitars-Reloaded-Miking-Techniques-Home-Recording-Studio-Help-l1928.html</link><description>Miking Guitars Reloaded - Miking Techniques - Home Recording Studio Help</description></item><item><title>POLAR EXPLORATION</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/POLAR-EXPLORATION-l1932.html</link><description>sound on sound september 2000 technique feature on understanding and using directional microphones: many of us do the vast majority of our recordings using mics with a cardioid polar pattern, but alternative patterns can give radically different -- and sometimes much better -- results. hugh robjohns explains the differences between these designs and the applications to which they&#039;re suited.
</description></item><item><title>Recording Studio Sound - Miking Acoustic Guitar</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Recording-Studio-Sound-Miking-Acoustic-Guitar-l1926.html</link><description>Recording Studio Sound - Miking Acoustic Guitar</description></item><item><title>Secrets of Miking for Drums and Guitar</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Secrets-of-Miking-for-Drums-and-Guitar-l1930.html</link><description>Secrets of Miking for Drums and Guitar</description></item><item><title>Songstuff: Phase Relationships</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Songstuff-Phase-Relationships-l1929.html</link><description>Phasing occurs when signals from multiple microphones directed at a single source are re-combined. This article introduces phasing and it&#039;s implications in a recording studio.</description></item><item><title>STEREO MICROPHONE TECHNIQUES</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/STEREO-MICROPHONE-TECHNIQUES-l1931.html</link><description>Stereo miking is the preferred way to record classical-music ensembles and soloists, such as a symphony performed in a concert hall or a string quartet piece played in a recital hall.</description></item><item><title>Stereo Miking Techniques</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/Stereo-Miking-Techniques-l1925.html</link><description>There are a number of different stereo mic placement methods. There are a number of sound engineers who prefer to use mono micing on horns and other single instruments. There are some instruments, ie. the drums, acoustic guitar, and violin for example, that sound great in stereo.</description></item><item><title>STRING DRIVEN</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/STRING-DRIVEN-l1924.html</link><description>sound on sound march 2001 interview with recording engineer gregg jackman: mics for live strings. necessity is the mother of invention, they say, and that was certainly the case when gregg jackman decided to find a better way of recording string sections playing in loud rock concerts. hugh robjohns talked with this inventive recording engineer.</description></item><item><title>VINTAGE BROADCAST MICROPHONES</title><link>http://www.audiolinks.org/Audio-Tutorials/Microphones/VINTAGE-BROADCAST-MICROPHONES-l1918.html</link><description>VINTAGE BROADCAST MICROPHONES</description></item></channel></rss>